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Part III will focus on the social trance and trance induction.

Premised on patriarchy, fear, and separation,3 fundamentalism promotes a social agenda that attacks homosexuals, foreigners, intellectuals, minorities, women, children, science, democracy, and even rationality. The fundamentalist family is a model of patriarchal dominance and subservience, with a strict father6 as the head of the household, while the wife and children are subordinated. Fundamentalist radicalism comes with a price. A "good Christian mother" will find her highest fulfillment in her role in the home. Should this not be the case for a particular mom, she plainly has a "Jezebel spirit" and desires to control her husband.

At this point, the horrible F-word-feminism-may be introduced as the root of all kinds of evil. The unacknowledged problem with fundamentalism is, as a gay ex-homeschooler realized in a dream, misogyny. In a toadying acknowledgment of patriarchal bias, the Southern Baptists adopted a policy in that asked the fundamentalist wife to "submit herself graciously"10 to her husband's authority. That is non-consensual play and a big no-no.

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Slapping a face is a step up from spanking a butt. Slapping can be very empowering and sexy for some people, and not at all for others. I find that the easiest way to introduce a partner to slapping is by watching some porn where slapping is an element. Meaning, no going to Pornhub or RedTube. Look for something on a female-focused site such as TrenchCoatX or Bellesa. The goal is to elicit excitement, not fear. Porn is a fun, easy-going way to get your partner chill with the idea of slapping before trying it. Know your stuff! If possible, take a class on slapping. There are plenty of places in major cities that offer free classes such as The Pleasure Chest and Babeland.

It can very helpful to see things for yourself. Watch YouTube videos. Here is a great video on spanking from sex ed genius Jess Wilde. This intro video , from Nina Pain, is basically face slapping The point is, you want to know everything you can before trying anything yourself. Face slapping is basically butt slapping, only more advanced and with more risks. No slapping until the spanking is on lock. Now, you might not be into butt slapping, but are turned on by face slapping.

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This is totally valid. A butt is going to absorb a slap more easily than a face. There is generally less pain and greater surface area to work with. Practice on butts, and then move to faces. This should be a non-sexual word that lets your partner know they should stop and check in with you. I recommend something like the following: banana, red, sailboat, strawberry, etc. Your safe word is a safetynet. Gigantic spikes of rock splinter the air around her.

Her feet dangle. Having lost her job and broken up with her girlfriend, she is in every way ungrounded. For All I Care Summerhall, 1.

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The script is limited in its political range. Mythos, a Trilogy Festival theatre, 1. Fry steers us through stories of bravery, cunning and struggle with boyish enthusiasm, his voice rounded and reassuring.

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Pleasance Courtyard, 1. It is and Ashley is lost in a dreamworld, turning vacuum cleaner extensions into lightsabers and bouncing around her flat like a Harlem Globetrotter. Art Heist Underbelly, 1. Borrowing playfully from films such as Mission: Impossible , its opening minutes present us with three would-be art thieves, each on a quest to steal the same famous painting.

Immediately, the comic possibilities are ample. But beneath its often hilarious gags and comic chaos the show worries away at questions of value, meaning and expression.

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Steven Wright on trumpet punctuates with punk tracks given a jazz makeover. Performed with choreographic grace and a mesmerising delivery, she tells of journeys into new lands where the delight of discovery becomes soured by prejudice. Like Animals Summerhall, 2.

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What makes us think we are entitled to rule over animals yet also communicate with them like friends? Ane City Assembly Roxy, 2. In a lively blend of spoken-word poetry and night-on-the-tiles narrative, she describes a town of which she is less proud than protective, meeting hippies in the Art Bar and hallucinating about the statue of Robert Burns, while recalibrating her relationships with friends, family and the landscape of her youth. The Happiness Project Army the Fringe, 2.

You might even get a hug at the end.

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Beat Pleasance Dome, 2. Dressed in white, Bellus is nervy and wide-eyed. By the end, it becomes his way of connecting to the world. Spray Assembly Roxy, 2.

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After accidentally opening a parcel for his neighbour he finds himself seduced by the thrill of stealing mail. Created by Naomi Paxton, Campe employs her considerable charm to recruit audience members to aid her in her flights of fancy one plays an escaped moose and to join her in a concluding dance. Her first guest, in a time-bending conceit, is Cleopatra, who turns out to be no mean singer-songwriter. All of Me Summerhall, 3. All of Me used to be one kind of show about depression. But during the making of this show, Horton became ill again. So now All of Me is unashamedly bleak, resisting the redemptive narrative arc that is so often expected from plays about mental health.

It could hardly be otherwise. So much about depression is ugly or simply blank, but Horton is able to find a strange sort of magnificence in the darkness.

The world has changed, but has he? However, his attempts to be a good feminist only betray him as being a very bad one. A striking show, and far more fun than the subject gives us any right to expect. George Fouracres: Gentlemon Pleasance Courtyard, 3. Fouracres emerges as much pen-portraitist as either actor or standup. Proceedings only occasionally shade into working-class cliche — and, when your grandad is both a brickie and pigeon fancier, how can you avoid it?

Spry and fluently expressive, Patel mesmerises with the expansive curlicue of her arms and the firefly flutter of her fingers, while a voiceover places us firmly in the realm of exotic myth. But saccharine fairytale soon merges with realpolitik as the voiceover gives way to a jarring collage of cut-glass reportage and familiar oratory, including a hint of Thatcher.